DIRECT FLASH AT 24MM PROXIMITY. THE POINT ISN'T THE CLOTHES — IT'S THE CIGARETTE BREAK, THE UNMADE BED, THE HALF-EATEN BREAKFAST. THEY KNOW THE CAMERA IS THERE. THEY DON'T PERFORM.
EACH SUBJECT GETS A DAY. THEIR PLACE OR YOURS. NO HMUA, NO STYLIST, NO ART DEPARTMENT. ONE CAMERA, ONE LIGHT.
THE EDIT IS THE WORK. PULL TWO TO THREE FRAMES PER SUBJECT. FIFTEEN FRAMES TOTAL. THE PITCH IS A SET OF CONTACT SHEETS WITH ONE HERO PULLED.
HEDI 2003-2007 FACE-FORWARD COMPRESSION. TELLER'S MARC JACOBS RUDENESS OF FRAME. TERRY'S DAYTIME FLASH. AS LITTLE BACKGROUND AS POSSIBLE — THE ROOM IS THE MOOD, NOT A SET.
WHETHER ALL FIVE SUBJECTS NEED TO BE FROM THE SAME WORLD (NIGHTLIFE / NINE8 / FASHION) OR WHETHER MIXING TIGHTENS THE EDIT.
WHETHER THE FINAL PITCH IS A KING KONG SUBMISSION OR A SELF-PUBLISHED ZINE FIRST. PROBABLY ZINE FIRST — KING KONG WANTS PROVEN BODIES.
WHETHER TO INCLUDE B&W AT ALL OR KEEP IT COLOUR. LEANING COLOUR FOR THE GRADE TO READ AS DAYTIME-FLASH-FORWARD.